A discussion of Keith Haring’s life and work as an embodiment of energy.
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“In May 1985, Keith and Kenny arrived on time at my studio for what I promised would be a quick portrait.” Greenfield-Sanders describes a photo-shoot with Haring and other artists.
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A reassessment of Keith Haring’s work.
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Gianni Mercurio interviews Peter Halley about Haring’s work.
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The aim of the following essay is to place Keith Haring’s work, the content and form of which are examined in detail in the other essays in the catalogue, in the context of the painting of his time.
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Keith Haring talks about his life and his development as an artist.
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Each of these men and his music and art informed the work and lifestyle of Keith Haring.
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Gehring investigates how “the conflict between ‘disegno’ and ‘colore’, first picked out as a central theme by Vasari” is played out in Haring’s work.
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“With few exceptions, critical interest in an artist’s drawings has depended on achievements in other and, by implication, more “serious” genres like painting or sculpture…. …the role of the drawing in Keith Haring’s oeuvre reverses this traditional pattern.”
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“Club 57 is where I first met Keith Haring. I thought he seemed quite a shy guy at first…”
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